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Lone Skier On Glacier

Lone Skier On Glacier

La Grave, France

Athlete: Eric Mostedt

Camera: Nikon F4

What makes it special:
The cushiest camera angle.

The Story:
"La Grave is a 500-year-old small French village with one gondola, offering almost 8000 vertical feet of free skiing. As I walked out of the tram onto the railed terrace my eyes locked onto the
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Gift Prints
>  product info
medium     mounting size   quantity price
Print on Metal     float block 6 x 10    $125
Print on Metal     float block 13 x 20    $350
Print on Metal     float block 16 x 24    $495
Print on Metal     float block 20 x 30    $850
Print on Metal     recessed aluminum 24 x 36    $1495

Limited Edition Photographs
>  product info
medium edition   mounting size   quantity price
Fuji Crystal Archive Pearl 100   face mount 26 x 39    $3450
Fuji Crystal Archive Pearl 100   face mount 28 x 42    $3895
Fuji Crystal Archive Pearl 100   face mount 32 x 48    $4995
Fuji Crystal Archive Pearl 100   face mount 36 x 54    $6395
Fuji Crystal Archive Pearl 100   face mount 40 x 60    $7895
Fuji Crystal Archive Pearl 100   face mount 48 x 72    $10950

Lone Skier On Glacier

La Grave, France

Athlete: Eric Mostedt

Camera: Nikon F4


What makes it special: The cushiest camera angle.

The story:  "La Grave is a 500-year-old small French village with one gondola, offering almost 8000 vertical feet of free skiing. As I walked out of the tram onto the railed terrace my eyes locked onto the glacier. A number of other guests enjoyed the grand view while dining and imbibing on the Alp's finest.

The space was vast and had an unmistakable monolithic pulse. A perfect ramp descended through the rolling glacier - the light was perfect. All the team discussion and plans faded. The line called to me. I set up the tripod and pulled out my big lens to be sure. The frame was true and after confirming that it was skiable I stepped back and shared the angle with the crew.

To be able to show the shot before it had been captured is a treat. They all saw the concept; there was little need to go into detail on where to ski. They geared up and started out on the solid hike up the ridge. It would take them an hour plus to get into position, but what a beautiful line. I, on the other hand, was ready to go. I sat down, put my feet up, and picked up the menu. When I got the thirty-second count over the radio I put down my cafe au lait and picked up the handset: "Camera ready."

It felt like they were skiing on the moon. An amazing grey-scale sparked by a graceful, mystical form. Two tracks coming down, only one rider charging out. The sense of scale and minimalistic form so often defines why we go through so much trouble to explore mountain environments."
 

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